Eefje de Coninck
amazonite, vintage beads and layered metal necklace | silk cord and chalk turquoise necklace
above: silk, brass and chalk turquoise necklace | below: crystal quartz necklace with large vintage beads and layered metal discs
above: silk and gemstone earrings in riverstone | gemstone and brass tube necklaces | below: vintage brass and navy suede necklace
below: silk and gemstone earrings in riverstone | gemstone and brass tube necklaces
above: Leather, brass and gemstone bracelets in marble, feldspar, riverstone, amazonite and clear quartz | below: lemon chrysoprase and riverstone necklaces with layered brass discs
above: feldspar and brass tube necklace | silk cord and tourmaline necklace | below: large citrine drop necklace | vintage brass bar necklaces
Credit: all images courtesy of Eefje de Coninck | jewellery by The Vamoose Eefje's Links: blog | flickr | websiteFeldspar + Pyrite
dried flowers | vintage postcard | porcelain jasper | pyrite bracelet | feldspar and brass necklace
Dried flowers, porcelain jasper and an old postcard helped provide the inspiration for the pyrite and feldspar pieces above. The design of the necklace was adapted from a previous feldspar version in pale grey, this time with a simplified approach and the addition of tiny brass discs. The feldspar squares have the most beautiful marbled pattern, with spots of colour in pink and mint. I took a similar approach when creating the bracelet, pairing pyrite cubes with a simple, plain chain. The old postcard features a statue of King Arthur, a mythical king of the Britons in ancient times, wearing richly detailed armour.Statue of King Arthur, Hofkirche, Innsbruck, designed by Albrecht Dürer and cast by Peter Vischer the Elder
While researching ancient armour, I became fascinated with the etched and embossed decorations, often depicting floral and geometric patterns, religious imagery or mythological references. Since embossing had a tendency to weaken the metal, etching proved to be the more popular choice for decorating armour in the late fifteenth to early sixteenth century. I found this piece especially inspiring, believed to have been made by order of Henry VIII, with elaborately etched and gilded steel. Too late for this collection, but I’d love to experiment with etched brass and gold leaf at some point in the future. Credit: jewellery and photographs by The Vamoose Research: The Metropolitan Museum of ArtBasilica della Santissima Annunziata del Vastato
vintage postcard | redline marble and hammered brass earrings | agate and opal slab | silk, brass and pink opal necklace
My fascination with Italian cathedrals and churches doesn’t appear to be fading any time soon. An old postcard of Genova’s Chiesa dell’Annunziata interior provided the inspiration for the earrings above and a piece of dendritic agate with pink opal sparked a hunt for matching opal pendants. I could only find a limited amount, but it was worth the long search!
Geometric earrings in redline marble and hammered brass, inspired by the opulent Baroque interior of Genova’s Chiesa dell’Annunziata...
This beautiful slab of dendritic agate with pink tinted opal inspired a silk, brass and pink opal necklace...
Credit: photographs and jewellery by The Vamoose